Futures in Formation: A Public Art Programme

A platform supporting Indian artists and collectives creating with
and within communities, publics, and environments

The Foundation for Indian Contemporary Art and Serendipity Arts Foundation are excited to present a new collaboration—Futures in Formation: A Public Art Programme —supporting artistic projects by Indian artists (individuals and collectives) working with a variety of publics, communities and environments.

The Programme harnesses the enthusiasm of both FICA and SAF, as institutions deeply committed to making available a significant opportunity to the field of art practice in India. It seeks to strengthen and streamline the way public art practices are put forward in the present moment. It aims to bring together critical imaginations and dialogues, siting encounters and engagements within expanded notions of what constitutes the public realm today.

The Programme will support 3 - 5 Fellows with the development of their proposed public art projects through aspects of research, production, dissemination and other routes of mobilisation as required.

It will entail financial support of up to Rs. 3 Lakh each for the project detailed in their application, to support the time period of the Programme (1st May 2025 to 1 March 2026).

Access FAQs here.

Our shared journey of platforming public art practices

Since 2007, the FICA’s Public Art Grant has been a platform committed to supporting a wide range of public art projects, inviting experiments with the very nature of the public domain as well as with elements of site-specificity, activism, community engagement, spectatorship, participatory art and collaborative practice. The Grant has since evolved with the kinds of practices that have been inducted into its ambit, and has, over time, come to assimilate vocabularies around digitality and transience, the virtual world and invisible structures, as well as new methodologies of spatial thinking and gathering. It has also attempted to provide a space for creative practices to rethink and reformulate approaches to radical intersectionalities of caste and gender, while also Programming new ways of thinking about cultural heritage, orality and history.

Through its multifaceted grants programme as well as its annual flagship festival, SAF has remained oriented toward platforming and facilitating inventive imaginations across research and practice in the arts today. It continues to foreground the recognition of excellence and potentiality among new and existing fields of inquiry across visual, lens-based and emerging media, performing, and performance arts. Most recently, SAF’s grants for creative practice have looked at supporting and mentoring public art activations exploring ecology and land in Goa, craft and folk traditions across communities, individuals and the independent music scene, knowledge systems around food and food-based cultures, and image culture in South Asia.

FICA’s interest in exploring the spectrum of definitions around public art practices has also further grown with courses and workshops that we have conducted in collaboration with Serendipity Arts Foundation. These courses were structured to formulate methodologies and toolkits around acts of reading in the present moment; they were galvanised through processes of making geared towards critically considering what public art is responding to today. Through these spaces and modes of gathering, both institutions have worked together to collaborate with artists and practices keen to reflect on the role and texture of public art.

As part of the scope of this reimagined Programme, below are some themes and categories listed to help clarify its ambit as a forum. Please note that these are not watertight categories; rather, they serve as freely overlapping, possible areas of focus for interested individuals and collectives to expand on further in their proposal.

We encourage proposed projects to extend across any of these (or other!) following themes:
(Click to expand)

  • How can public art help think about ideas of belonging, shared experiences and ways of living? Applicants are invited to think about how art in the public domain shares and amplifies the idea of community—as a concept, as a reworking of its many definitions, as practice and as a catalyst for collective identity. Projects can explore how public art becomes a space for gathering with and within notions of the commons, as well as how such formations spur, record and document conversations about different inhabitations, textures and genealogies around the same. We are interested in looking at how sustained community conversations evolve over time, and how creative practices can have a role in championing and foregrounding the dynamics of these.

  • How does public art offer a dynamic space to explore the interplay between history and memory? Projects can explore new forms of storytelling that bridge the past and present, excavating forgotten, silenced, or marginalised histories, bringing them into dialogue with new discourse. By working with the textures of memory—public and private, shared and individual—they can explore different catalysts for collective reflection and cultural dialogue through creative methodologies. In the face of contemporary acts of erasure—be they political, cultural, or ecological—projects can think about how public art can serve as a form of resistance, asserting the vitality of forms of remembering that are being written out or overwritten, making space for alternate or dissenting voices in the public realm.

  • How can public art serve as an exploratory medium to interrogate the fluid and often contested relationships between natural and the built environments? This category invites practices to reflect on the intertwined futures of ecology and the human condition, thinking about alternative cartographies, languages and behaviours in the landscapes that surround us, and those that we inhabit. Projects can think about how we live within and move through shared environments, reconsidering routine perceptions and permeabilities. They can pay close attention to histories and vulnerabilities of a site, taking the form of works that traverse the visible and the unseen, foregrounding ecological networks, natural cycles, or the tensions between conservation and urban development. Additionally, projects can also address the convergence of physical and virtual spaces—the mediatic environments that shape contemporary life as digital spaces, screens, and virtual realities—exploring their impact on our understanding of ecology and habitation.

  • How does public art offer a unique platform to investigate how cultures intersect, evolve, and transmit knowledge across time and space? By thinking about how dialogues between generations and communities can be fostered, public art can become a catalyst for exchange, reinterpreting traditions, practices, and histories to create new forms of shared understanding. Projects are invited to explore how knowledge is transmitted—through oral traditions, performances, rituals, or other embodied practices—while challenging conventional hierarchies of knowledge production. They can consider innovative visual and spatial strategies that respond to the vibrancy and contemporaneity of cultural hybridity. Projects can also probe deeper into how public art becomes a vital site for exploring the fluid intersections of tradition and modernity, the personal and the collective, and the local and the global, generating new forms of cultural connectivity.

  • How does public art continually expand the concept of the "site," extending beyond physical locations to include virtual, symbolic, and imagined spaces? How do sites travel or transform when uprooted from their origins, and what creative possibilities emerge from these shifts? By revisiting site-specificity, public art can explore how the meaning of a site evolves across contexts and translations. Projects in this vein can examine the fluidity of public spaces and the publics that inhabit them. They can look at the boundaries of publicness, examining how physical spaces interact with digital environments or how transient sites contribute to our understanding of public art. Projects could also interrogate the layered identities of a site—its histories, ecologies, and sociopolitical dimensions—formulating new interjections and interpretations, challenging static notions of space, while thinking creatively with what it means to inhabit, share, and reshape public realms.

  • How can public art critically engage with notions of accessibility and the lived experiences of diverse bodies? How can public art help envision accessible futures, not just in the built environment but in cultural and social spheres? This category invites projects interested in platforming the different experiences of bodies in public spaces, creating opportunities for engagement and dialogue across abilities. Projects can consider critical toolkits of awareness-building, advocacy, and storytelling, and how these may be translated into the domain of public art. They can also toy with the possibilities of art as a medium to critique, subvert, and reimagine norms that govern public spaces, offering multisensory, participatory, and inclusive modes of engagement at the crossroads of creative practice, policy, and accessibility innovation in technology and design. Projects can pursue the realities of intersectionality and belonging across a spectrum of abilities today, pushing the boundaries of what it means to inhabit and traverse shared environments.

Fellowship Ambit & Funding

  • The Programme will support recipients with the development of  their proposed public art projects through aspects of research, production, dissemination and other routes of mobilisation as required.

  • It will entail financial support upto Rs. 3 Lakh each for the project detailed in their application through the time period of the Programme (May 2025 to March 2026).

  • Recipients will be required to participate in a public forum during the course of the Programme which will be discussed with them in advance. Further details on the nature of this participation will be shared post the selection process.

We invite prospective applicants (both individuals and collectives) to consider the following while applying for the Public Art Programme.

Eligibility

  • Individuals and collectives may apply.

  • The applicant/s needs to be 18 years or older.

  • The applicant/s should be an Indian citizen/s, currently residing in India.

 Submission Guidelines

  • The proposed project must be located in India, and the proposal must ensure adequate details on the location(s). The project can include staging across multiple sites within the country if necessary to the execution of the project. Applicants are advised to consider the feasibility of the same with regard to the Programme amount upto Rs 3 Lakh and the Programme period of one year.

  • The project should have the specific intention of being sited or staged in the public domain. Applicants are encouraged to reflect upon the role of public art practices, the nature of publics and public spaces today, and are free to refer to the various free-flowing categories outlined above.

  • We invite interested applicants to propose projects whose creative outcomes could take various forms: From mixed and multi-media installations, community-led initiatives, tech and design , experimental archives, site-specific and traveling modules, performative interventions, alternative pedagogies and interactive design projects, to list a few.

  • Modes of engagement with the public and/or any specific audiences should be clearly defined within the proposal.

  • Please ensure a detailed project proposal to allow greater clarity about the potential and practicality of the project.

  • Outcomes of the proposed project should be clearly defined.

  • Applicants should be open to sharing their work at different stages of the Programme, as we imagine the scope of this platform as one that will host dialogues and conversations of various textures, bolstering the development processes for each project.


Submission Procedure & Application Requirements

Please fill the Google Form linked below, and upload the following PDFs to the same.

DEADLINE FOR APPLICATIONS: 5 APRIL 2025

One PDF with the following:

  1.  Project proposal (1000 - 1500 w) with processes, engagements and outcomes clearly defined.

  2. A detailed budget break up of the project 

  3. A detailed, well-explained timeline of project development.

One PDF with the following:

  1. Updated CV and bio. If applying as a collective, please include CVs and bios for all members of the collective.

  2. An updated portfolio of your individual or collective practice with not more than 15 ongoing and older projects. Please include images and open access links to video files or other supporting material within this PDF itself. If applying as a collective, please include portfolios for all members of the collective.


For queries, please write to info@ficart.org.

CLICK HERE TO APPLY!

Please note that applications are to be submitted only via the Google Form. Applications sent via email will not be considered.

About Serendipity Arts Foundation (SAF)

Serendipity Arts Foundation is an organization that facilitates pluralistic cultural expressions, sparking conversations around the arts across the South Asian region. Committed to innovation and creativity, the aim of the Foundation is to support practice and research in the arts, as well as to promote sustainability and education in the field through a range of cultural and collaborative initiatives. The Foundation hosts projects through the year, which include institutional partnerships with artists and art organizations, educational initiatives, grants and outreach programmes across India.